October 09, 2019

Salman Rushdie’s Quichotte: World of Illusion and Reality



Title: Quichotte
Author: Salman Rushdie
Publisher: Penguin Random House India 
ISBN:  978-0670092796
Language: English
Pages: 416
Genre: Literary Fiction

As Fernando Pessoa says “we, all who live, have a life that is lived and another life that is thought”

Quichotte by Salman Rushdie is the universe of tales and interpersonal emotions, where each character, on their own quest of seeking love, either salesperson or a spy-thriller writer.

It is an intellectual and playful novel that has been shortlisted for the Booker prize 2019. Rushdie reinvented 17th century Cervantes’s Don Quixote and we experience very vision but from the cerebral of 21st Century, realities alter in terms of socio-political culture.

Basically, Rushdie’s Quichotte is the story of Ismail Smile, a retired salesperson of pharmaceutical products, who binge-watches fancy TV shows, twist comes when he falls in love with a woman on TV, and put himself on a quest of seeking love, Now this woman is an interesting character herself, named Salma R, she has an Indian origin, living in New York though,  She is host of talk-show, somewhat like Oprah. To win her love, Ismail, adapts a name Quichotte and starts sending her letters, although he behaves like a quaint stalker yet the love and madness he carries inside, he is the protagonist and the most intriguing character; you urge to explore him anyway.

In between Quichotte invents an imaginary son, Sancho, who takes small fraction of his life, I think, Sancho is the only one who carries an innocent voice among myriad of characters, he slowly evaluates his place, fuming with anger and atrocity. 

In next few chapters, you realize, Quichotte might be hero of the book but he is not real, he is just a fictionalized character written by Sam Du-Camp, Ok Here, you have to pull off your dreamland as you have been getting introduced to new character, This Sam Du-camp is a spy-thriller writer, comes to realization that his whole life crumpled among lies and now he wants to write something real. 



As in science projects, you need to construct a flow chart into your mind, you need to do the same while exploring next chapters, because there are not couple of plots but subplots and various tales and references, it is a wild trip, characters do clash, worlds rebuild and it really demands of a reader every ounce of attention.

My own feeling is that Salman Rushdie has enjoyed romancing with different genres, wisely though. There is whole list of TV shows and quick-witted mentions of fake news. Somewhere I felt it is a magical realism, and it also has a spy writer, and there are road trips, and that’s not an end of the list. It feels funny to explore this multi-universe, on the next moment you urge to have some space to breathe.

Quichotte is a novel that shows us the mirror to make us realize what happens when misinformation gobbles the fact and surviving amidst insane world.

“Everything sounds like a lot,” Sancho said.
“All of us are in two stories at the same time,” said the sandwich lady. “Life and Times. There is our own personal story, and the bigger story of what’s happening around us. When both are in trouble simultaneously, when the crisis inside you intersects with the crisis outside you, things get a little crazy.”

Rushdie’s Quichotte is a delicate circle, quick-witted book, unfolds satire on reality shows, cyber war, along with some notable issues like sexual assault, racism, suicide, inkling of immigration, religion’s beliefs, and corporate trickery.

I have read Rushdie before and absolutely loved his Midnight’s Children. I am not denying the fact he has his own readership. By Quichotte, Rushdie has shown to the world, he is not afraid pushing his limits even at this age and certainly it is a brave step; the universe he documented will breathe through these pages. No matter what pro-critics say but I genuinely feel this is social commentary of an era, much needed work, maybe for offspring. 

“A zillion channels and nothing to hold them together. Garbage out there, and great stuff out there, too, and they both coexist at the same level of reality, both give off the same air of authority. How’s a young person supposed to tell them apart?  Every show on every network tells you the same thing: based upon a true story… true story is there’s no true story anymore.”

The only thing interrupted into this novel is usage of superabundant wordplay and pop culture references, as I was not aware of most of them so had to Google everything, turns it into a slow-read.

All in all, it is a Pandora box of human behaviour, carries two worlds side by side, Quichotte’s pursuit of love and a spy novelist’s troubles. This picaresque novel surely deserves a read.

About the Author



Salman Rushdie is the author of thirteen previous novels - Grimus, Midnight's Children (for which he won the Booker Prize and the Best of the Booker), Shame, The Satanic Verses, Haroun and the Sea of Stories, The Moor's Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown, The Enchantress of Florence, Luka and the Fire of Life, Two Years, Eight Months, and Twenty-Eight Nights and The Golden House - and one collection of short stories: East, West. He has also published four works of non-fiction - Joseph Anton, The Jaguar Smile, Imaginary Homelands and Step Across This Line - and co-edited two anthologies, Mirrorwork and Best American Short Stories 2008. He is a member of the American Academy of Arts and Letters and a Distinguished Writer in Residence at New York University. A former president of PEN American Center, Rushdie was knighted in 2007 for services to literature.