September 19, 2017

Book Review: Forest Dark by Nicole Krauss


Title: Forest Dark
Author: Nicole Krauss
Publisher: Bloomsbury
ISBN:  9781408871799
Genre: Literary Fiction
Pages: 290
Source: Flipkart Review Program
Rating:  4.5/5

Some books demand your proper attention. They want to hold your hand and transport you into another world, where respective characters breath and you feel their every move, every emotion.

Nichole Krauss’s Forest Dark comes into that category only. If you think you could finish it in few sittings, you are not doing justice with these certain reads. I have read Krauss before, loved the prose then, and I am glad she didn’t lose her charm into her recent launch FOREST DARK. Her narrative is so absorbing, and magnetic that you want to savour it sentence by sentence. It makes you think and suffer and then leaves you with questions that don’t need to get answered.    

Forest Dark begins with disappearance of Jules Epstein, 70 years old, rich lawyer, who recently got retired, divorced and father of three. He has spent his whole life running into a race where he gets everything he aspires but after retirement he inclines towards spiritual thoughts, for instance what’s the meaning of money? What is real definition of success? And he decides to donate his wealth, whereas his lawyer friend takes this donation thing as some disease and calls it radical charity.

Besides that there is other protagonist, Nichole (When I read the name I thought it is some kind of memoir and then I read her interview at various platforms, Nichole is nothing to do with author Krauss except she created this profound character) So, Nicole is 40 years old novelist, living in Brooklyn with her two sons, her marriage is drifting apart. At one place Nicole express herself that she wanted to be writer who is free, without responsibilities who can write create her heroes, live their insecurities, happiness their life but she was not brave enough. I found that part was so beautifully written; I underlined it and mentioned it too, here in the Reader’s Moment.

Krauss’ Forest Dark is interlaced with two protagonists, their lives run into parallel world and that makes the story interesting. Yes I found it bit of confusing at some places but that’s totally acceptable when you get to read such sensitive work. With many Twists and turns, quirky characters with flaws, a new perception about Isolation, and the journey of self discovery, Forest Dark surely holds a soft place into reader’s heart. 


READER’s MOMENT 

Beyond this, Epstein made no effort to explain himself to anyone, except once to Maya. Having arrived thirteen years after Jonah, and ten after Lucie, at a less turbulent and agitated epoch in Epstein’s life, Maya saw her father in a different light. There was a natural ease between them. On a walk through the northern reaches of Central Park, where icicles hung from the great outcrops of schist, he told his youngest daughter that he had begun to feel choked by all the things around him. That he felt an irresistible longing for lightness—it was a quality, he realized only now, that had been alien to him all his life. They stopped at Theupper Lake, thinly sheeted with greenish ice. When a snowflake landed on Maya’s black eyelashes, Epstein gently brushed it away with his thumb, and Maya saw her father in fingerless gloves pushing an empty shopping cart down Upper Broadway [...]

How else to explain myself, then? Explain why I went along with Friedman, refusing to heed all the obvious warnings. One often hears people say that it’s easy to misunderstand. But I disagree. People don’t like to admit it, but it’s what passes as understanding that seems to come too easily to our kind. All day long people busy themselves with understanding every manner of thing under the sun—themselves, other people, the causes of cancer, the symphonies of Mahler, ancient catastrophes. But I was going in another direction now. Swimming against the forceful current of understanding, the other way. Later there would be other, larger failures to understand—so many that one can only see a deliberateness in it: a stubbornness that lay at the bottom like the granite floor of a lake, so that the more clear and transparent things became, the more my refusal showed through. I didn’t want to see things as they were. I had grown tired of that. [...]

When I was young, I thought that I would live my life as freely as the writers and artists I took as my heroes. But in the end I wasn’t brave enough to resist the current pulling me toward convention. I hadn’t gotten far enough along in the deep, bitter, bright education of the self to know what I could and couldn’t withstand—to know my capacities for constriction, for disorder, for passion, for instability, for pleasure and pain—before I settled on a narrative for my own life and committed myself to living it. Writing about other lives can, for a while, obscure the fact that the plans one has made for one’s own have insulated one from the unknown rather than drawn one closer to it.

ABOUT AUTHOR
Nicole Krauss is the author of the international bestseller The History of Love, which was published by W.W. Norton in 2005. It won the William Saroyan International Prize for Writing, France’s Prix du Meilleur Livre Ėtranger, was named #1 book of the year by Amazon.com, and was short-listed for the Orange, Médicis, and Femina prizes. Her first novel, Man Walks Into a Room, was a finalist for the Los Angeles Times Book Award for First Fiction. In 2007, she was selected as one of Granta’s Best Young American Novelists, and in 2010 The New Yorker named her one of the 20 best writers under 40.
Her fiction has been published in The New Yorker, Harper’s, Esquire, and Best American Short Stories, and her books have been translated into more than thirty-five languages. She recently completed a Cullman Fellowship at the New York Public Library. She lives in Brooklyn, New York.

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